All the Billion Other Moments

Apparently Amazon is making moves to drop any POD books not printed by their own BookSurge service. I’m not sure how long this was brewing, but stories are popping up all over.

I can see how this makes sense, from a certain point of view. Asking Amazon, who is now in the POD business, to sell POD books from LuLu (for example) could be seen as similar to asking Wendy’s to sell you a Whopper.

Unintended Consequences

To me this sends a message to all other book sellers that it’s ok to not consider POD books as real products, and refuse to carry them. I can envision all the major chains having their own in-house POD setups at some point, and they’ll follow suit by refusing to carry anything “not printed here”. This will include those books printed by Amazon’s BookSurge service.

Maybe I’m missing something more obvious, but it really seems that Amazon has set back the legitimacy of a certain class of books based solely on how they were printed and bound. I’m fully aware that there’s a lot of junk out there, because with POD anyone can “publish” their own book, but at the same time there are some wonderful works that perhaps would not be available in print any other way.

As a consumer, books in this situation might as well be mythical creatures. If I like to shop at a big chain, and they tell me “We don’t have a listing for that. We can’t order it,” then that’s it. Anything more requires jumping through hoops, meanwhile there are thousands of other books I can walk home with right now. Online it’s even worse. If a book isn’t up for order at your preferred online book seller it might as well not exist at all. And to many consumers, it won’t.

A Business Opportunity?

I foresee a lot of gloom and doom while this shakes out. There’s a change it will come to nothing in the end. It’s also possible Amazon is hoping to use this to get more favorable agreements out of POD houses before letting them back in. As such I’m just speculating here.

What if things play out like I suggested earlier, with each book seller having their own POD house, and not taking books from other POD houses. Assuming that the different POD services don’t have exclusivity agreements, the best option would be to offer you book through all of them. It’s obvious. Then wherever folks are they can get your book.

Simple, right?

No, not really. Having put together one book for LuLu I know it can take a great deal of time to prep the book to look good when they print and bind it. I’m sure other services have their own pitfalls. The idea of learning them all fills me with dread. Who has time for that?

But what if a someone started up some sort of aggregated POD service, where you get them your manuscript and they go through the process of getting it up on all the POD services for you? Could such a thing work? If you’re a POD author, would you use such a thing?

I’d be interested to hear other folks thoughts, so please comment.

Your first hit is free

On April 1 Scott Sigler’s thriller novel Infected will be released in hardcover to bookstores. But why wait? Thanks to a special arrangement with Scott and his publisher you can download the entire novel in PDF right now, but only until March 31.

Infected is the first major print release from Internet phenom Scott Sigler, whose podcast-only audiobooks have drawn an immense cult following, with more than three million individual episodes downloaded. Now Sigler storms the bookstore shelves with this cinematic, relentlessly paced novel that mixes and matches genres, combining horror, technothriller, and suspense in a heady mix that is equal parts Chuck Palahniuk, Michael Crichton, and Stephen King.

Does that sound at all interesting? Go on, give it a try. Just this one time. Download it already, and tell your friends to do the same. There’s no risk here, unless you’re afraid you’ll like it so much you’ll feel compelled to purchase the book. Go on, risk it.

But wait there’s more

Want to learn more about Scott Sigler? You’re in luck. J.C. Hutchins just released the latest episode of his UltraCreatives interview series with Scott as his guest. Yeah, that’s free too. Old One-eye Jack knows how to treat you.

Mur Lafferty’s Playing for Keeps

Playing for Keeps [...] tells the story of Keepsie Branson, a bar owner in the shining metropolis of Seventh City: birthplace of super powers. Keepsie and her friends live among egotistical heroes and manipulative villains, and manage to fall directly in the middle as people with powers, but who just aren’t strong enough to make a difference. Or that’s what they’ve been told. As the city begins to melt down, it’s hard to tell who are the good guys and who are the bad.

Mur Lafferty’s latest podiobook officially launches tomorrow (although you can hear the first chapter right now). If you’ve ever listened to I Should be Writing you’ve probably heard of it (although perhaps under the title Keppsie’s Bar). It looks like Mur is trying out some new things with the Playing for Keeps Experience feed which will feature a host of additional content, including PDFs of the chapters and Stories of the Third Wave, a supplemental podcast.

Listen to the Promo and subscribe.

Scott Sigler’s Nocturnal

Something lives deep beneath the streets of San Francsico. Something that has been there for centuries, something that comes out at night … to feed on the dregs of society. A sub-culture, with its own myths, its own legends of leader named The King that will lead them out of bondage, and their own demon, a hunting shadow known only as Savior.

But the legends of Savior’s brutality have faded, the fear passed into stories told to frighten the young ones. When The King finally appears, just as foretold, the Nocturnals know their time has time — the time to come out from under the streets and hunt humanity in the open.

Scott Sigler’s newest podiobook thriller launches tonight at midnight EST. As usual it sounds like quite the ride. If you’ve heard Scott’s stuff you already know what to expect, if you haven’t you can head on over to Podiobooks.com and grab Earthcore and Ancestor at any time.

The print version of Nocturnal is currently scheduled for 2010, but the podcast launches tonight, so why not listen to the promo and subscribe.

The NanoMonkeys

Hosted by PG Holyfield, Chris Miller, and Kris Johnson, the NanoMonkeys aim to help get you through the madness that is NaNoWriMo.

For those of you, like me, that are participating in NaNoWriMo, and thinking “Gah! Who has time for new podcast novels?”, I’ve got just the thing for you. The NanoMonkeys is a daily podcast (approximately five minutes per episode) that runs throughout November offering writing advice and encouragement. This year the line up features a number of guest authors (including me on November 3rd). I made listening to this part of my daily routine last year, and I recommend you do the same.

This year’s welcome episode is available now. What are you waiting for, subscribe?

Download PDF (~100kb)

I’m pleased to be able to offer the first 54 pages of Holly Lisle’s Create A Plot Clinic for download. This covers the introduction, all of the section on Plotting before writing (including structure) and the first two plotting “tools”. If you are at all interested in writing you owe it to yourself to give it a look. It’s free, so what have you got to loose?

Disclosure: I am an affiliate of Shop.HollyLisle.com, but that’s because I believe in the products. I’ve found these books invaluable in my own writing.

GalleyCat pointed out The New York Times article Your Cheatin’ Listenin’ Ways (also mentioned on TeleRead this morning). It’s not the first time an article about audiobooks in The New York Times has set me off. I continue to be dumbfounded by peoples reactions. I’m even more disturbed by the people in the article who listen to audiobooks an feel guilty about it. What’s wrong with people?

In general I don’t feel the need to defend myself on this, but it seems many audiobooks listeners feel some sort of shame, so I guess I will. Listening to an unabridged audiobook is not cheating. Listening to an unabridged audiobook is reading a book. The majority of books I consume are in audio form. When reading paper book I sometimes find that I don’t remember the last few pages and have to reread them. This happens much less often when listening to audiobooks (and when it does I do backtrack and listen again). I also don’t have the luxury of doing just one thing at a time. I have responsibilities to my family, my writing, and my job. I was only getting six hours of sleep before the new baby. When am I supposed to read? I do have a number of print books I want to read but they have a long waiting period before I can get to them. Even once I do it often takes months for me to get through them. I’ve had John Scalzi’s Old Man’s War in my queue for a while and I’m elated to find out yesterday that it will be available on audio soon.

Most importantly, I’m thirty and my eyes are not in good shape. They aren’t going to get any better. I already have separate reading/computer glasses and my eyes have basically shut down due to eye strain multiple times.

The reality is, there’s very little difference between listening and reading. According to The New York Times article:

“If the goal is to appreciate the aesthetic of the writing and understand the story,” said Daniel T. Willingham, a cognitive neuroscientist at the University of Virginia, then there won’t be much difference between listening and reading. “The basic architecture of how we understand language is much more similar between reading and listening than it is different.”

I know this is true. When I’ve re-listened to audiobooks I’ve been amazed at how much of the story I remember word for word.

My wife and I have been listening to Harry Potter on audio since before book three. Listening together is tougher now then it was then, so it’ll probably take a year to get through the new one, but it’s wonderful to be able to enjoy books with my wife in this way. Currently I’m working to instill a love of audiobooks in my children. I’ve found some great stuff for them on Audible.com (which is where I get most of my stuff as well). I love reading to my kids, but I also enjoy experiencing a story with them, and just enjoying it. I feel no shame in any of this.

Ron McLarty wasn’t able to get The Memory of Running published in print until after the audiobook was available and people heard it. Numerous authors are releasing free serialized audiobooks, many for otherwise unavailable works. I assume they consider the medium valid. Feel free to comment whether you agree or disagree. I’d like to hear what others think.

The final book of J.C. Hutchins 7th Son novel trilogy starts today! Available (sometime today) for free at jchutchins.net or podiobooks.com.

Update: It’s available now!

Flametoad seems to thinks so (found via TeleRead). He suggests that authors like Cory Doctorow, JC Hutchins and Scott Sigler are devaluing the audiobook and e-book formats, and buying the p-book is “paying for the paper because the content has no value”

I don’t see it. Perhaps these authors value readers. After all, what value does you work have if no one has read it? Cory Doctorow’s books keep showing up in the bookstore. In fact IDW recently bought the rights to do a series of comics based on his works even though the license for those works allows anyone to create such comics non-commercially. Scott Sigler recently managed to sell quite a few copies of his new print book recently. Heck, I bought two (one as a gift).

I have both an audible.com and a podiobooks.com account. Do I value one over the other? Not really. I don’t think most people equate free with no value. Not anymore, if they ever did.

I picked up Stephen Pressfield’s The War of Art yesterday. It’s a short book, but I’ve not had any extended time to dedicate to reading, so it may take me a few days. The book has been on my radar for some time. When I saw it come up again over at 43 Folders I decided to buy it. I mean, I had been meaning to check out The Merlin Show after hearing Merlin Mann on TWiT, and I’d recently been introduced to the music of Jonathan Coulton, so seeing them together with a mention of the book seemed like some sort of sign. Adding extra weight to this, my wife had also recently discovered Jonathan Coulton’s music independently of me. That guy gets great word of mouth.

Anyhow, I grabbed the book at lunch Friday. I’m not sure if that qualifies it as an impulse buy or not, but who cares?

I finished the first of the books three parts this morning. While there are a few parts I don’t agree with, it really seems to hit the nail on the head 97% of the time. I’ll hold back on giving my final recommendation until I finish it, but so far, real good.

Just wanted to let people know that Holly put her three writing clinics on sale ($2 off each) through Friday (March 9th) at her online e-book shop.

I can personally recommend them, especially the language clinic. I’m currently working on my second language for Miracles and I’m enjoying the heck out of it. The books are clear and concise, and most importantly they make the process fun (and manageable, but fun is more important). If any of this even sounds vaguely interesting you owe it to yourself to check them out (the shop pages contain Table of Contents and excepts):

• Create a Character Clinic
• Create a Language Clinic
• Create a Culture Clinic