I finally started reading through the print out of the book. I hope to get through two chapters a day, but family and work are keeping me pretty busy. It’s interesting to see hints of threads that I completely forgot about. Someone else reading it may miss them, but now I have to decide weather to expand them back in, or remove them completely.
The Secret Monkey Returns to Print
More info over at The Secret Monkey site.
The First Draft
Things are still pretty busy here, but I did find the time to print out my first draft. It’s an interesting feeling holding the book in my hands. For one thing it weighs a lot more that I would have thought.
WordPress: Hiding the comment link without disabling pings
I saw this question over on Holly Lisle’s weblog, and thought I’d try to help. After a number of posts eaten by the comment gnomes, I think I’ve found the answer.
Since this might be useful to someone else, I’ve decided to post it here.
Continue reading “WordPress: Hiding the comment link without disabling pings”Kiddo 2

Weight: 9 lbs 8oz
Height: 21 inches
What’s up with all these posts?
So most of you who know me, know we’re waiting for something big. It still hasn’t happened. I don’t want to start any more work on my novel until after it happens. In the mean time I’ve had a bit of free time, so I’ve been trying to keep on top of things around here while I can. One I do get back to writing I’m hoping to revise at least one of my short stories before diving into Novel work again. We’ll see.
Review: Appleseed (2004)
I read the Appleseed manga in the early 90’s and loved them. I don’t remember them too well now, but I knew I wanted to see this movie as soon as I heard it was being made. Then I saw the trailer. Wow. This is not your run of the mill anime. It’s completely CGI. Not “Toy Story” CGI. The backgrounds are fairly realistic looking, and the characters are cell shaded, CGI that is rendered to look like hand drawn cell animation.
The movie is visually stunning. It took a bit to adjust to the style of animation, but once I just accepted it, I was blown off the couch. It has a sense of realism, while retaining it’s anime and manga roots. The fight scenes are beautifully choreographed. The chase scenes are as intense as anything I’ve seed out of Hollywood. It was like the first time I saw Akira, only more so.
I watched film with it’s Japanese DTS Surround soundtrack and English subtitles (not a dub fan). This movie is loud when it wants to be. Shake the house loud. I recognized a few of the Japanese voice actors, but not well enough to put names to them. The music was good, if a bit overbearing in a few places. The DTS sound mix was every bit as breathtaking as the visuals. I felt I was in the room with the characters more then once. When someone walks off screen, and their next line of dialog comes from behind you it’s just something else.
I can hear you asking, how was the story then? It’s a great story. In a future where the world is locked in an endless war with nobody left in charge, a utopian city exists. Half the population of this city is made up of artificial humans, controlled and monitored by a supercomputer, which makes it’s decisions by debating a group of elderly scientist/philosophers. These bioroids are intended to keep the humans in the city from fighting one another. They look just like people, and act just like people, but they don’t have access to their full emotions. Their reproductive systems are non-active, to keep them in check, and as a result they need to have regular life extensions to keep them going. But, all is not well in this would be utopia. There is racial hatred of this new group of pseudo humans. A terrorist attack on the life renewal center throws everything into jeopardy.
The delivery of the story is less great. There’s just too much going on to condense into an hour and forty minutes. As great as the action scenes were, I feel that spreading out the revelations (most of which are delivered via dialog exposition) are a bit of a let down. The big problem is that most of them happen right on top of each other, not allowing them the time they need to sink in. One of the two main characters is a human rebuilt in a robot body, and there’s some great conflict there, but it never fully develops. Everything just happens too fast.
In the end, I really recommend the film. Even if you don’t like anime, but do like animation in general, you should see this film. It’s something different. I only wish they would have given the story more time to grow.
I read the Appleseed manga in the early 90’s and loved them. I don’t remember them too well now, but I knew I wanted to see this movie as soon as I heard it was being made. Then I saw the trailer. Wow. This is not your run of the mill anime. It’s completely CGI. Not “Toy Story” CGI. The backgrounds are fairly realistic looking, and the characters are cell shaded, CGI that is rendered to look like hand drawn cell animation.
The End of an Era
After the last book I read, I needed to read something a bit… shorter. This just so happened to show up at my door at just the right time. I have (almost) all of the BBC Doctor Who novels, but I haven’t read most of them. I hope to some day, but it’s mainly a collection at this point.
This one I really wanted to read, for a number of reasons. This book is the end of the block of continuity that started back in August 2000 with The Burning, where the Doctor has lost all of his past memories; I’ve had a renewed interest in Doctor Who due to the show finally coming back to BBC TV (warning, link contains spoilers for the 2005 season of Doctor Who); the book was supposed to make sense to people who have never read any of the 100s of previews Doctor Who novels; most importantly, for me, it was written by Lance Parkin.
The book, while not exactly what I expected, made good on it’s promises. It tied up the continuity from the ongoing book series in such a way that it can lead into the new TV series, without explicitly going there (or even starting down that path). In fact, that part of the book, while fascinating, is almost regulated to the sidelines of a rip roaring adventure.
Another Time Lord, Marnal, trapped on earth discovers that Gallifrey has been destroyed, and that the Doctor was responsible. He sets a trap for the Doctor, with the intent of making him pay for his crimes against their people. Marnal is a bit disheartened to find the Doctor has no idea what he is talking about, although he doesn’t quite believe it. The Doctor ends up finding out what happened to his memories, and why.
While the Doctor is occupied with that, the earth is overrun by the Vore, an insectoid alien race that jumps through disturbances in space-time, and seems to be intent on whiping out the population of earth.
The Vore are a great alien threat, because they are so alien. No one can communicate with them, they seem to have no idividual thoughts, and nobody can figure out what it is they are trying to do, or why. They just merrily go about decimating the population and move on to the next place. People are forced to move on and try to cope with death on a scale they can not even comprehend. They are unfathomable while being logicaly insect like.
I can’t really say much more about the plot without ruining it. Although some of the characters ment little to me, because they were obviously long time companions of the Doctor in books I did not read, by the end I really cared about them. There’s some great stuff in here, like when the Doctor first encounters a Vore:
The Doctor looked it up and down. ‘So you’re a Vore? I’ve heaerd the expression “time flies”, I’ve never actually met one before. Hello.’
Like all of Mr. Parkin’s books that I’ve read so far, the writing is top notch. There are lines in the book that refer to some aspect of fandom, or the series history outside of the fiction, but they are presented as part of the story. They’re like in-jokes, only more complex, and they never seem forced or out of place. There are comments that state what I believe to be the authors take on continuity (Doctor Who has spanned Television, comics, books, audio dramas, and more in it’s over forty year history). None of this ever detracts from the story in the slightest.
If you’re a Doctor Who fan at all, and especially and Eighth Doctor fan, I highly recommend you give this one a read.
After the last book I read, I needed to read something a bit… shorter. This just so happened to show up at my door at just the right time. I have (almost) all of the BBC Doctor Who novels, but I haven’t read most of them. I hope to some day, but it’s mainly a collection at this point.
This one I really wanted to read, for a number of reasons. This book is the end of the block of continuity that started back in August 2000 with The Burning, where the Doctor has lost all of his past memories; I’ve had a renewed interest in Doctor Who due to the show finally coming back to BBC TV (warning, link contains spoilers for the 2005 season of Doctor Who); the book was supposed to make sense to people who have never read any of the 100s of previews Doctor Who novels; most importantly, for me, it was written by Lance Parkin.
Scary Clown Stories
I’ve been planning to read this book for years. In fact I did start reading it once back it Junior High, but it was on loan, and I had to give it back before I got to far. This was my only exposure to Stephen King’s writing until I listened to The Green Mile as it was serialized (yes, it was serialized on audio as well). Since then, I’ve read and listened to a lot of King’s work, and I finally found the time to get to It. I’m not going to do this work justice in such a short space, but I’ve collected some of my thoughts here. I’ve been failing to write reviews of things as I read them, so I’m going to try this to see how it goes.
The terror, which would not end for another twenty-eight years-if it ever did end-began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.
This, the opening sentence, sets things up quite nicely. The story, which carries on for over 1100 pages, switches back and forth between the present (1985) and the summer of 1958. The device is well used. The characters in the present slowly begin to remember that summer as the events are presented to the reader. I was skeptical of how well this would work at first. I mean, how much suspense and terror can there be in the tales of 1958 if we already know who survives to 1985? Well, a whole hell of a lot.
There’s something wrong in the town of Derry, Maine. In 1958 there are a series of horrific, unexplained child murders and disappearances. Seven children, who dub themselves The Losers Club, unite to defeat It, the creature they know to be responsible. The creature takes many forms, most taken from the mind of It’s victims. The most universal form is that of Pennywise, a demonic clown. Twenty-eight years later, as adults, the Losers have forgotten what it was that they did that summer. All but one of them, who calls them all back when it starts happening again.
King does an amazing job capturing the mindset of these children. The Losers know there are terrible, horrible things going on, but they are able to go about their normal lives is spite of it. It seems odd, but I can remember similar situations when I was a child (nothing so extreme, mind you). When your a kid, having fun is serious business, and you really have to keep at it no matter what else is going on, but at the same time children do have the ability to be far more serious then they are ever given credit for.
There are a lot of great bits where strange, creepy, terrifying things happen, but for me King’s books are always about the characters, and how they deal with the disturbing situations. One of the creepiest things, to me, was the fact that almost all of the Losers were being abused in some way. It’s not out in the open in all cases, and in some it remained very subtle, but as the book progresses, there is a very real world horror underlying the supernatural. Perhaps that’s part of why these kids were able to stand up to It.
For such a long book, parts of it seemed to fly by. Sure there were sections that seemed to have little impact on the story one way or another, but none of them were boring. Were they necessary? No. Would I have liked the book so much without them? No way.
The overall story seems to have some of it’s roots in Lovecraft’s cosmic horror work. If you need everything to be tied up neat and tidy, this book might not be for you. That’s not to say things aren’t explained, but the explanations aren’t all that important to the story, really. The characters are what matter, and they shine here. To me, the real story is about childhood and growing up. How people change, and what they loose in the process without even knowing it.
I’ve been planning to read this book for years. In fact I did start reading it once back it Junior High, but it was on loan, and I had to give it back before I got to far. This was my only exposure to Stephen King’s writing until I listened to The Green Mile as it was serialized (yes, it was serialized on audio as well). Since then, I’ve read and listened to a lot of King’s work, and I finally found the time to get to It. I’m not going to do this work justice in such a short space, but I’ve collected some of my thoughts here. I’ve been failing to write reviews of things as I read them, so I’m going to try this to see how it goes.
First Draft Finished!
I can’t believe it. The first draft of the novel is done. I started writing the draft from my outline on 07/13/2004, meaning it took 340 days to get here, but it’s done.
Now I need to put it away for a bit before coming back to start the rewrite.
Phew!
Update: Final word count on the first draft was 108,840 (which was 563 pages).



