All the Billion Other Moments

Dragon Page: Cover to Cover has been discussing ebooks at length lately, especially since Mike Stackpole is selling his stuff in the iTunes App Store. In the latest episode they spend the opening section lampooning the idea of e-book standards. The conversation that ensued contained a good deal of misinformation1.

So I’m posting this in response here, hoping to keep the conversation going (I could post it as a comment on the site, but it’s a bit long for that, and it’s way to long to leave as a voicemail without sounding like even more of a crank).

Stand Alone Readers in the iTunes Store

The discussion gives an impression about the stand alone readers (specifically Stanza and eReader) having access to a bunch of old public domain content nobody actually wants to read. No mention is made of putting content you purchased outside iTunes or creative commons works into these readers, which seems to be their primary purpose.

Stanza

The Stanza iPod Touch/iPhone app is an offshoot of the Stanza desktop reader (Mac Only). Any file you can read on the desktop reader2 can be transferred to the mobile Stanza app. This covers a lot of commercially available content.

Also the mobile Stanza app is pre-configured to pull ePub files from Feedbooks. Feedbooks has 2500+ titles available for free. While many works are those you avoided reading in high school, it also includes titles from authors like Edgar Rice Burroughs, Lester Del Rey, Robert E. Howard, Fritz Leiber, H. P. Lovecraft, Andre Norton, H. Beam Piper, Robert Silverberg and E.E. “Doc” Smith. Those too old school for you? How about Steven Brust, Tobias Buckell, Cory Doctorow, James Patrick Kelly, and Charles Stross, to name a few.

eReader

Although it’s stated that the eReader can be used to download free content (I admit I don’t even know if can download free content), no mention is made that it is actually designed to download your purchases from eReader. Also, any multi-format purchase from Fictionwise is also supported.

Since I personally avoid books that come locked in one format, the vast majority of my Fictionwise purchases are instantly downloadable to my iPod touch. That’s a big win for me, because it means when I’m home I can read on my dedicated e-book reader, with it’s larger screen, but when I’m stuck in the waiting room I can keep reading the same book off my iPod Touch without buying it twice.

ePub and Tower of eBabel

There is a group of [...] e-book enthusiasts who are deaf on anything that is not the one true ring, the one true way. They want everything to be available in one universal format, which doesn’t happen to exist yet. [...] and they want it to then be cross-platform available because they’re very resentful if seven years ago they bought a book for their palm pilot and now they can’t play it on their iPod.

Yeah, those people. Me.

Mike and Mike then then proceed to talk down to “those people” as if we all just fell off the esparanto truck by giving the same arguments all the digital music players that didn’t play MP3s used to give and why music would always have DRM. Making a buck will always trump the demands of the consumer. Format wars will always go on forever and ever and there will be no standard delivery mechanism3.

More importantly, the format does exist in the form of the International Digital Publishing Forum (IDPF)’s ePub, and it does have vendor support. Adobe, Amazon4, eBook Technologies, OSoft, VitalSource and LibreDigital (among others) all support ePub in their current products. Sony just added ePub support to it’s line of readers, and Bookeen is currently working on adding it to their Cybook readers. You can get any of Feedbooks 2500+ titles in .epub. Heck, even the last of the freebie releases from TOR was released in .epub rather than .mobi.

Maybe I’m Crazy

I like e-books. I prefer them to print. I like being able to increase the font to rest my eyes. I like being able to read them on multiple devices. I don’t want this to happen to my books. I feel that e-books have to be more convenient that print to really take off5. So either I’m a nut-job, or I’m who the people trying to sell these things should be targeting. I’m the one going to go out and extolling the virtues of these things to the people I know who are hanging by the sidelines waiting to see if they want to jump in. Feel free to tell me which one you think I am in the comments6

Flametoad seems to thinks so (found via TeleRead). He suggests that authors like Cory Doctorow, JC Hutchins and Scott Sigler are devaluing the audiobook and e-book formats, and buying the p-book is “paying for the paper because the content has no value”

I don’t see it. Perhaps these authors value readers. After all, what value does you work have if no one has read it? Cory Doctorow’s books keep showing up in the bookstore. In fact IDW recently bought the rights to do a series of comics based on his works even though the license for those works allows anyone to create such comics non-commercially. Scott Sigler recently managed to sell quite a few copies of his new print book recently. Heck, I bought two (one as a gift).

I have both an audible.com and a podiobooks.com account. Do I value one over the other? Not really. I don’t think most people equate free with no value. Not anymore, if they ever did.